I lived in Liverpool for 12 years. During this time, which I began as an undergraduate student and ended interviewing the cast of Hollyoaks (that’s higher education for you), I stayed in accommodation that moved sequentially further away from the city centre.
I found myself eventually living next to a disused railway line.
I stayed, not surprisingly, for as long as I could.
I discovered the line after I discovered the property. I hadn’t yet got into the habit of sizing up a place to live based on its distance from the nearest railway (operational or otherwise). It pains me to admit I didn’t have a clue at first why the line was there. It looked to me like a footpath. In fact, it was – and still is – a footpath. Formally, it’s part of National Cycle Network Route 62. Informally, it’s the old Liverpool Loop Line, which used to connect a string of suburbs and villages clustering along the city’s hem.
It may be a month since Robert and I spent a week riding Scotland’s railways, but the memories are still strong. Such as…
Kyle of Lochalsh station
I’d got a sense of how enchantingly remote and enticingly melancholy this place might be from Michael Palin’s 1980 Great Railway Journey for BBC2, where he travelled all the way from Euston to Kyle in order to collect a frankly preposterous piece of signage.
THERE WAS A SMELL OF affluence and hokum. I felt like I’d wandered into an episode of Lovejoy.
It was a few weeks ago, and I was in Norfolk, on my way to one of the country’s least-used railway stations. I’d stopped along the way in the small village of Reedham, where I thought I’d enjoy a pleasant stroll along the river.
But there was something about the place that left me unsettled. Perhaps I should have read the signs. Literally.
RADIO 4 HADN’T EVEN started.
That was how early it was. So early that Radio 4 had yet to come on the air. It was the earliest I had got up on a Saturday in my entire life. And the coldest I had been at that time of the morning on any day ever.
Why such an eye-blearing, ritual-scrambling departure? I had a rendezvous to make, one that involved catching a train that took twice as long as Another More Well-Known Operating Company Chiefly Associated With Beards to reach its destination, but one that also required – with irony as deep as the snow that lay all around me – a rail replacement bus service from my home in Finchley to another part of the Northern line, which in turn could get me to Euston.
It was best not to dwell too much on all these things, and instead just get on with it.
Besides, I was about to experience another first: travelling on a train during sunrise.
Surrounding me on the 07.46 from Euston were people going somewhere for a reason – unlike me, who was merely going somewhere. There was a woman dressed in the uniform of a prescription chemist. There was a group of teenagers on their way to a football match. Someone else was wearing a suit. A family – “It’s only our second time ever on a train” – were off to a bit of a do.
All of them had enough on their minds to rarely throw a glance out of the window. But this was their loss, for the views were spectacular. The early morning sunshine, filtered through chilly mist and freezing fog, made the snowy landscapes sparkle with promise. The Home Counties were completely flattered, and indeed flattened, by the frosty confection that had laid polite yet joyful siege to the country this past week.
I was heading for Stafford but at a speed slow enough for me to spot a road sign to Althorp, final resting place of the subject of Madonna’s next film*, and on a similarly funereal note the graveyard near Nuneaton station, for many years earlier in my life a memorable waymarker on the route from Liverpool to my hometown of Loughborough.
One of life’s self-evident truths is that a long train journey is a great thing. But a long train journey through snow is even more thrilling. I found the two hours up to Stafford passed by effortlessly. Not once did I feel the need to distract myself by listening to some music or opening the book I’d brought with me.
Well, almost. When the snow suddenly vanished just outside Rugby, I’d only the anticipation of what lay ahead to keep me from other pursuits. And what a pleasantly eccentric prospect this was.
I was meeting up with my friends Robert and Scott, with whom I’d explored the old Croxley branch line last autumn. Robert was spending the day collecting a few more “ghost” stations for his blog, and had invited us to join him – an offer that perfectly suited London Midland’s ‘Great Escape’ deal, allowing unlimited travel anywhere on their network all day for £15.
Abandoned stations: what is it that makes them more than the sum of their parts? The three that we visited – Norton Bridge, Barlaston and Wedgwood – were in various states of deterioration, but their respective clutter and degrees of abandonment all pointed to a controlled running into the ground. They hadn’t simply been left for dead. Theirs was, and here is a clue to their appeal, a managed decline.
There’s something about managed decline that is strangely alluring. It’s what Britain does well, of course. Heavens, it’s what we have been doing well for the best part of 100 years. And anything that is in a state of managed decline exudes a sort of melancholy charm.
It’s especially palpable when applied to buildings. There’s no pretence to them. They don’t try to hide their destitution. They are slipping gracelessly but openly and plainly into oblivion. And they want us all to see.
Norton Bridge was the most far gone. All that survived was a stump of a platform in the middle of two sets of tracks. The waiting room was boarded up, there was no station entrance to speak of, and the passenger footbridge had been almost entirely demolished. No trains have called here since 2004.
It’s fair to say that of equal, if not greater, concern to us was why there was ever a station here to begin with. Norton Bridge is barely a village. Wikipedia stoically reports that:
“In addition to the park there is a phone box operated by British Telecom, which is scheduled to close soon and no longer accepts coins, and a postbox.”
For what logical reason did trains ever call here? To which the answer is: none, for they must only have stopped here illogically, and the Wicker Man-esque feel of the place just compounded our feelings of bewilderment. That, and having to wait an hour for a bus out of the place. If only I’d thought ahead and brought sandwiches.
Barlaston felt like it had more right to call itself a village, boasting as it did a few traces of advanced civilisation, like shops.
Its station, though disused, is also of much greater substance, straddling as it does a level crossing across which we meandered back and forth, snapping away.
A “ghost” station in the snow represents a hugely evocative combination, even if the snow is only there because the temperature hasn’t risen above freezing all day and you’re starting to lose complete sensory awareness in your toes.
But any reference to the Manpower Services Commission is always going to get my camera-finger twitching:
And yes, that’s happened before.
The third in Robert’s hat-trick was Wedgwood, a short stroll away from Barlaston along the Trent and Mersey Canal, and a rather long trudge when all you’ve got beneath your feet are alternating patches of ice and dog shit.
But here again the climate and the context somehow fed off each other to create a slightly entrancing if eerie location.
Within the space of 10 minutes or so, several trains rushed through, bringing down the level crossing. The station once existed to bring workers to the adjoining Wedgwood complex, which today loomed up silently through the frosted forest. Like its neighbour down the line, it was closed in 2003 and never reopened. And like its neighbour, superficial sights and sounds suggest it is still a going concern. But no trains stop here, and they never will again.
Is it worth being bothered by any of this? Nobody really misses these three stations – do they? There’s probably more interest in them now they are in retirement than when they were fully operational. And bizarrely they seem to have more of a personality now than I bet they did when they were merely three more stops on the line between Stafford and Stoke.
Yet I think there was a bittersweet reaction among all of us upon seeing these stations that even our most cynical of retorts (and there were many, particularly about the daft and creepy Norton Bridge) could not dispel.
For one thing, if they weren’t there, we’d have to find other places at which to stock up on melancholy charm. And there wasn’t really any to be found at those stations that were still open through which we passed along the way. Stafford is a dump, Stoke is too anonymous and Stone is architecturally magnificent but loses points for its station building having become an amenities centre**.
But there’s another reason why it’s worth being bothered. That’s because it’s fun. It might not sound it from some of the paragraphs above (particularly the one about having to get up early), but most of that is just bluster. Granted, you need the right company, which I most certainly had. You need the right conditions, which turned out to be unexpectedly grand. And you need the right frame of mind, which materialised, as it usually does, the moment my first train of the day started on its journey.
But with all of those in place, even the necessity of yet another rail replacement bus through some of the narrowest lanes of the most narrow-minded backwaters of Staffordshire didn’t seem that bad.
*Not true. The subject of Madonna’s next film, indeed the subject of every Madonna film, is of course Madonna.
**Not that there’s anything wrong with an amenities centre, it’s just they should always be in amenities centres, not railway stations.
THERE ARE DOZENS OF DISUSED RAILWAYS around London.
A good number of them have taken on a second life as footpaths, cycle routes or nature reserves, in doing so losing nearly all of their former distinguishing features save a bridge or embankment.
But occasionally you’re lucky enough (and it is a matter of luck, given how methodically they were invariably dismantled) to find a disused railway line turned right-of-way that boasts more in the way of substantial relics: the hulk of a platform, for instance, or the stump of a waiting room.
Or, if you’re really lucky, a Network South East sign.
Perhaps I should explain the appeal of doing this sort of thing. Then again, perhaps I can’t. You either get it or you don’t.
Two people who most certainly get it, and who kindly invited me to accompany them on this particular quest to discover the remains of the old Croxley Green branch line in Hertfordshire, are Scott and Robert. I was only too happy to join them, and they proved excellent company as together we threaded our way on an atypically balmy September Saturday through the outskirts of Watford.
We were not the first, and won’t certainly be the last, to beat a path this way. Since this line was closed – unofficially in 1996 and replaced with a bus service, then officially in 2001 – I’m sure there have been plenty lured by the novelty, incongruity and, yes, thrill of seeing ghost stations of the like of Watford West and Croxley Green, with their signs and notices still intact but the final train long since departed.
Diamond Geezer wrote a few months ago of just such a trip, combining his impressions of what used to be here with descriptions of what may one day be here again.
For this is a line that clings to life not just in the form of giant Network South East-branded signage.
Part of it may yet re-emerge clothed in the garb of the Croxley Rail Link, a proposal to connect Watford High Street on the Overground, where we began our walk, to the Metropolitan line just north of Croxley station.
The old tracks would be used for almost all of this “new” branch line, with a genuinely brand new chunk of track needed only at the western end, near where the disused Croxley Green terminus currently stands in rather undignified semi-retirement.
For the time being, however, the entire line exists in a comatose state, superficially dead to the world but occasionally twitching into coherency in pleasingly unapologetic ways.
From Watford High Street we strolled through a series of rather unexceptional side streets and alleys, searching for the first signs of the line. Robert led the way, having wisely plotted a route in advance and saved it all on his iPhone. Scott and I were in his hands, but none of us needed to consult a map – not a conventional one, at least – during the entire day.
Instead we were free to let our attention get caught by other local attractions: John Barrowman, for instance, who was promoting a forthcoming appearance at the Watford Colosseum in his usual understated fashion:
Or this perplexing sign outside a factory of pre-Thatcher-fontage:
Or the man who emerged from a branch of Coral the bookmakers, yelled “FUCKING CUNT!” at the top of his voice, muttered a hasty apology in our direction, then walked off slapping his head repeatedly before kicking the side of his car and climbing inside, still spluttering with rage, and roaring off down the road.
Of the three former stations we were looking for, the first, Watford Stadium, was entirely submerged beneath greenery.
It’s probably more appreciable in the winter; for us, the mere glimpse of a lamppost or glint of a rail was all that was on offer. Others have found a way to reach the old platforms and even stand on the tracks. We moved on as a small crowd of children from a nearby modern housing development began circling on their bikes.
Both the second and third stations had more to show for themselves, not just in the guise of those iconic Network South East signs. Here’s Watford West, complete with… steps!
Plus some humorous graffiti (easier to see if you click to enlarge):
The three of us made a careful point of taking turns to capture all of this for further reference:
En route to Croxley Green we got a proper look at the tracks, courtesy of a gap in the railings alongside another new housing development:
While at Croxley Green itself there was a semi-tatty noticeboard, conveniently placed at the ideal height for posing in front of.
Having, ahem, written a song about this place, but never having actually seen it before, encountering Croxley Green was something approaching excitement for me. Hence this rather ridiculously preening, which Scott and Robert graciously indulged:
While all this was going on we received a number of beeps from passing motorists. Quite what they thought we were doing depends on whether you choose to treat their actions as gestures of appreciation or derision. The fact all three of us were loitering near a signpost that read “Community Toilet” may have created a different impression entirely.
From there we trekked all the way up to Croxley station on the Metropolitan line, passing along the way signs advertising CROXFEST 2011.
This, inevitably, became something of a talking point. We wondered what sort of entertainment appeared at such an event. Some budding local talent? A famous name from within the neighbourhood? At one point we heard the sounds of some performers drifting across the Metro-land suburbs. Betjeman would have shuddered. We weren’t that smitten either. Much more pleasing was the food and the rest we subsequently had at a pub near the station.
I really hope the Croxley Rail Link is approved. I don’t feel that much sentiment towards a disused line that has yet to acquire a real sense of history or be refashioned as a useful footpath, or which would have demonstrable rather than just symbolic worth were it to be reopened. Besides, there are so few “new” railways being built in this country, for such a relatively tiny one as this to not get to go ahead would be rather depressing.
Plus if it came to pass, here would not only be a new railway line for folks like us to explore, but a new disused railway line to boot, in the shape of what is currently the Metropolitan line between Croxley and Watford: tracks that would be taken out of service once the Croxley Link became operational.
It’s the gift that keeps on giving!
Thanks again to Scott and Robert for asking me along. Here they are, enjoying an empty Metropolitan line carriage on the way back to central London.